Ten Amazing Tips for Writing Historical Fiction

Here are some of my favourite tips based on my own writing experience. It certainly isn’t an exhaustive list but will do for starters.

Tip One

  • Know thy self

I think how you approach writing historical fiction depends a lot on your personality. Have you ever thought about whether you are a ‘big’ or ‘small picture’ person?

A ‘big picture’ individual might like broad sweeps of history and miss some of the finer but important aspects of a story. ‘Small picture’ individuals might swamp themselves with so many facts, like formulating a mosaic, that they cannot start, let alone finish, a novel of such breadth. Be selective in what detailed descriptions the story really needs for it to flourish. ‘Less is more’ in historical fiction. Find a good balance and pace your self so that you can indeed finish your manuscript in a timely fashion.

My ‘big picture’ nature led me to struggle with containment.

Tip Two

  •  Decide what type of historical fiction you are going to write at the beginning and identify your audience

There are over 30 different time periods across 20 centuries and some may go even further back in time. Is it an adventure, a biography, a fantasy, an epic, a romance or mystery/crime thriller? Does it have a military or nautical flavour? Know your audience or niche beforehand and your novel will grow from a strong foundation.

I wrote my novel ‘Sisters of The Bruce’  purely because of my complete and, dare I say it, obsessive fascination with the Bruce family and their extraordinary story. It was only afterwards I was surprised to see that there were a number of historical fiction stories written about sisters. Had I known earlier, it certainly wouldn’t have changed my path, but  it was an object lesson in doing more research beforehand on the market.

Look also at the broad historical context of your story and any contemporary elements. The Battle of Bannockburn, when Scotland vanquished a much larger and better equipped English army, is critical to my story and I look forward to visiting Scotland for the 700 year Anniversary of the battle which will take place in June 2014. Thus my audience is anyone of Scottish heritage around the world as well as those who enjoy a good dollop of medieval history.

Tip Three

  •  Find a period in time with which you have a heart connection

Mine is medieval Scotland but this has grown to include much of northern Europe for many of these countries were linked economically as well as politically. Weaving a story across such a broad landscape requires close attention to detail across multiple settings and sound research skills. I often feel like a vigilant, bright-eyed rodent nosing the midden heaps of the past for tasty morsels, some long forgotten bit of information which will add a twist to my story.

Tip Four

  • Learn to write well

Sounds obvious doesn’t it but, if you can, do a creative writing course or series of smaller courses and your story will flourish. Marry up your best creative efforts with fascinating characters who have their own story to tell. Use well-constructed sentences with robust nouns and powerful verbs, and limit unnecessary adverbs. Vary your sentence lengths. Avoid repetition.

My creative writing bible, which I cannot recommend highly enough, is ‘The Little Red Writing Book’ by Australian author, Mark Tredinnick.

Learn from other writers in your genre. Hilary Mantel’s works are outstanding for their breath-taking descriptions and exquisite eye for detail. Other authors like Sharon Penman, Elizabeth Chadwick and Edward Rutherfurd write extraordinary historical fiction, weaving authentic texture into a complex tale to bring it to life. It’s no easy task!

Tip Five

  •  Look for conflicted characters

Flawed individuals with an array of strengths and weaknesses make for great stories. Draw out those flaws and human traits for that is what your reader will identify with in the midst of an unfamiliar setting.

Tip Six

  •  Undertake good, strong research and develop an effective system for storing data

This is critical to your story for many historical fiction readers wish to be educated as well as entertained. Keep in mind that some of your readers may also be keen students of history and may be looking for your story to bring what they know to life. I have put down many a historical fiction novel because the facts have got in the way of a good story. If you must take history into your own hands, make sure you fess up at the end, offering logical reasons why you chose an alternative path.

Try to complete your research before you start writing your novel. I once killed off a character then had to write her back into the story when further research showed she was very much alive and well and later gave birth to several children.

Another challenge for me is what to do with the research I’ve gathered: how to record and store it. I’m rubbish at it! Scribbled notes on napkins and loose paper are nigh on useless if you can’t locate that critical fact with ease. It’s a huge time waster!

 Tip Seven

  • Read the most accurate historical texts on your topic for an overview 

Get recommendations on texts from a variety of historians. Their views might differ and present intriguing perspectives. Previously unknown characters may come to light in your search. I like to pick over bibliographies to find new authors. Read social histories for this information will bring your subjects to life. Don’t forget children’s picture books as well: these can provide a visual layer of vital knowledge.

If you can, visit the countries that interest you. Nothing beats wandering around castle ruins at the end of the day. Look at the broad landscape which, most likely, will not have changed too much. That skyline of mountains will be what your characters saw as they looked out of the castle arrow slits. See how the sun shapes the landscape and where the shadows lie. Feel the wind on your face … and the ghosts at your back.

Tip Eight

  •  Immerse yourself in the culture through reading

Your 21st century eye will pick out the different values towards women, labourers, livestock, home and hearth, war and death. Reduce contamination from the present by thinking about what might/might not have been invented at the time.

Make no apology for the values of the past for this will surely date your book and bring the reader back into this century. Values evolve for a reason due to the economics and politics of the time. Accept this and move on.

Tip Nine

  •  Get inside the skin of your characters to understand their lives

Understand the roles and manners and language of the time. Steer clear of writing dialogue that is so authentic that it is incomprehensible to your reader. English plainly spoken and easily read is best. Sometimes the sense of a different time can be captured in how a sentence is structured. Look for more subtle ways in language and setting to bring out the difference.

 Tip Ten

  • Identify the themes within your story

Draw out the broad human impulses: jealousy, betrayal, avarice, love, passion, pride, honour, humility and desire for power. These will bring your tale to life and form points of congruence for your reader. Mastery over one’s destiny and survival against all odds are issues that are pivotal to the human condition and the genre of historical fiction can teach us so much by exploring the dips and peaks of past experience. Distinct differences between then and now fascinate and intrigue us, but it is the emotional connection that we seek with our ancestors: from that comes continuity and hope.

2 thoughts on “Ten Amazing Tips for Writing Historical Fiction

  1. Great tips, most of which apply to just about any style of writing. Point 6 is one of the hardest ones to deal with. Writer’s are notoriously messy when it comes to paperwork and it is hard to not only keep everything in order but to be able to find that crucial piece of information instantly. When I am writing or researching, I always keep 3 word documents open. One is the work in progress (WIP), one is the structure (a brief chapter outline) and the other is for facts. Then I use keywords that I know I would use to search for those facts. In addition, I have an expanding a-z file with cutting and jottings. Unfortunately, I must confess that I also have a box full of scraps of paper, like the napkin you mentioned, waiting to be entered and filed.
    I also liked your point 10 about identifying themes. I often don’t recognise until half-way through my first draft (or sometimes not until the end) exactly what those themes are. It is always a startling revelation.

  2. […] exploring. Once in a while, she’ll also write a ‘how-to’ article. Her June 24 post, “Ten Amazing Tips for Writing Historical Fiction” reaches out to other […]

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